The Runway Lies Ahead like a Great, False Dawn.

The Asbury Convention Center The Old Boardwalk.

A few Saturdays ago, there was a trip to Asbury Park. Again. As I was anxious and bored, I wasn’t up for staying at home so I took off and did some running away. I spent about 6 hours in Asbury Park, looking, photographing and wandering. I ate ice cream. I played pinball. I sat in the sand, looked at the ocean, absorbed sun light. I thought about the idea of endless summer/youth, the end of boardwalk, the texture of ocean. I enamored with the juxtaposition of the culture that exists on the very short boardwalk and the rest of the town. Driving into town to the beach is a little strange, since the town is so ragged.

Remants of the Old Pier. Retirement Home.

On the boardwalk, in this place of eternal summer, there is money, there is polish. In rest of town, there are pawn shops, there are rough edges. It is very quiet and unpopulated outside of the small space between the casino and the convention center. Silence lingers along Kingsley Street, in the green spaces that mark tourist population from the rest. I am interested in the space between the boardwalk and the rest of town. I want to explore it and work around that line, that threshold, that demarcation.

Outside of the running away, I am drawn to Asbury Park because it doesn’t have emotional weight to it, like the places from my past. It feels a lot easier to make images here, to make them without this heaviness in my heart and limbs. It is emotionally exhausting to make images in places loaded with personal history. I realize it is a bit problematic to make images of Asbury Park, because it has been photographed so much. I am not interested in making images that I know exist already; I want to look around them and extract something different.